I think this is one of the biggest differences between real world and capture. If you program a show on capture, then work on the real world rig, youll adjust your strobe palettes for the real world. If you then need to carry on programmig on capture, you have to change your strobe palettes back. Having the ability to adjust this in corrections would help that. Ive had to explain to artists im showing the show to, that "oh itll be strobing at this point, ignore the vis" too many times :)